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Cristina Lazic lands on Crosstown Rebels’ Rebellion with ‘Leap Year’

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Fresh from the success of SOULS Vol.1 in April, Damian Lazarus’ Rebellion gears up for the next edition of the series this October. Rebellion presents SOULS Vol.2 continues the spiritual theme, featuring appearances from label-regulars and debutantes alike in the form of Yulia Niko, Mommo G, Cristina Lazic, Paride Saraceni, Landikhan and MoM.

‘Leap Year’ arrives next courtesy of Cristina Lazic, who delivers a stripped-back, minimal leaning number packed full of dubby undertones. Italian-talent Cristina Lazic is a regular on the international DJ circuit, performing at venues such as Egg London, Opium Dublin and Armani Privé Milan. She is also a member of shesaid.so, the world’s community of women in the music industry. 

Born in Milan and raised in London, Cristina started playing the piano when was six, grew up composing music and is now leading two successful parallel careers, working for Google and also having achieved widespread and international success as a DJ and producer. 

Influenced by the minimal and microhouse sounds of producers such as NTFO, Raresh and Priku, and the English strands of Fuse London and Solid Grooves, Cristina has recently thrown herself in the field of production, collecting a series of successes with upcoming releases including this one on Crosstown Rebels’ Rebellion and Creature Records.

If you could describe Cristina with three words, then there would be passion, determination and vision. Ultimately, Cristina’s objective is that of making people dance and creating a special connection with the audience, where she takes them on a journey based on long-mixed transitions and emotional sets.

We premiere ‘Leap Year’ on Data Transmission, check it out here and grab it here.

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Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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