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Vozz Rich’s ‘Ends Of The Earth’ gets Reloaded, STUND steps up for Us & Machines

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Us & Machines expand the world around Vozz Rich’s ‘Ends Of The Earth’ with a tight remix package, and today we premiere Vozz Rich, ‘Ends Of The Earth’ (STUND Remix) on NUDE Techno.

The original cut has always carried a bit more weight than your average club tool. Vozz Rich writes with movement, space, and narrative. That comes from the way he is built. Raised between California and Mexico, trained on instruments early, then sharpening his edge through sound engineering and ghost production before stepping out properly under his own name. Since 2020, he has dropped releases on labels including Trax Records, Epsilon, Maniana and Batuque, passing 2.5 million streams in the process.

Now Us & Machines hand ‘Ends Of The Earth’ to three different minds, and each one pulls out a different angle.

First up, STUND takes the cinematic atmosphere and turns it into a straight peak-time driver. The groove is heavier, the drums are tighter, and the low end sits right at the front of the mix. It is not trying to be clever. It is trying to work. The synth lines keep evolving and climbing, then snap into the breakdowns without losing tension.

STUND has been building quietly but properly out of Canada’s underground, with releases on Do Not Duplicate Recordings, Box of Cats, Hood Politics, Westwood Recordings and Uprise Music. He has also been a consistent presence around Shambhala across recent years. That dancefloor first mindset comes through loud and clear here.

On the deeper end of the package, BENNER (H) delivers a progressive house version that leans into long builds and emotional lift, built for late-night stretch outs and open-air moments. White Zoo goes the other way, pulling ‘Ends Of The Earth’ into darker, hypnotic territory with rolling tension and a more shadowed groove.

But today it’s the STUND remix that gets the spotlight.

We premiere Vozz Rich, ‘Ends Of The Earth’ (STUND Remix) on NUDE Techno now.

Click Here to Grab It!

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Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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