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Exclusive Premiere: Marc Miroir – Let Me Go



Here at Data Transmission we’re firm believers that if you want something you should do you utmost to go out and get it. Thus when we made Marc Miroir’s ‘Let Me Go’  our single of the week we knew we had to go all out to secure it as a premiere and share it with you lovely people.

When it comes to making top-quality house music of a genuinely interesting and far-from-novelty persuasion, few of those in the contemporary game can hold a candle to Paso Music boss, Marc Miroir. It’s perhaps no coincidence, therefore, that his latest track exudes even more charming vibes. This time, it’s a collaboration with Elif Bicer that’s caught our attention. Bicer, of course, is a name who you might recognize from her work at Ostgut Ton (where she’s worked with Steffi among others), and the Let Me Go EP, we’re glad to report, is just as enticing.  

And in spite of the release featuring just the one original, there’s more than enough here to make one sit up and take notice. Starting off an immediately catchy loop, the track soon morphs into a steady and multilayered effort that packs more than enough punch into its 6-or-so minutes. Simple but most definitely effective, it’s full of twists and turns aplenty, and draws on the producer’s rich understanding of the dancefloor throughout. Sure to be a hit on dancefloors in Germany, London and Tokyo alike, it might just be the best house track we’ve heard in some time. As a bonus, it also comes with a classy dub too for those of you yearning for a vaguely different interpretation that keeps hold of the vocal. 

Out now via Paso Music you can check out the original below.

Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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