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ELDON announces his ‘The Descent’ EP via Sola Nauts

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Quickly becoming a favourite across the Sola stable, Liverpudlian DJ and producer ELDON unleashes another undeniably engrossing three-track EP – ‘The Descent’.

Liverpudlian DJ and producer ELDON may be the new kid on the block, but he possesses all the hallmarks of a seasoned pro. Spending years perfecting his craft, 2021 promises to be the year where ELDON steps up and proves himself as one of the most exciting new talents on the circuit. Without releasing a single record, ELDON had already played alongside some of the world’s biggest house acts, including Solardo, Camelphat, and Richy Ahmed.

Heavily influenced by the early 90’s Chicago Ghetto House, Miami Bass, and Detroit’s Ghettotech scenes, ELDON is putting his Scouse spin on the genre. He has a slew of bass-driven tracks fused with UK house and techno with a Chicago spin, which delivers infectious club energy set for release this year on labels such as Sola, Viva, Trick, 432, and Sola Nauts.

“Good things come to those who wait!” – ELDON

Opening the EP, ‘The Clap’ gets things moving with ELDON’s uniquely quirky style. Full-bodied Tech House grooves and weighty sub-bass meet a catchy vocal hook, whilst an array of gamey synths ripple off the track’s firm pulse.

‘The Descent’ follows with pacy club-ready energy. Building around a plethora of melodic elements, its crisp percussion and punchy drum work add weight to its gripping bassline and hooky vocal chops, carving out a high-energy dancefloor heater for the masses! The release closes on ‘Bernie’s Back’, a tribal-tinged cut with more captivating charisma. Breakneck rolling rhythms and rising tones build progressively as the track reaches a climax, with weighty and darkened drops bringing a sinister and underground feel.

We premiere ‘The Clap’ on Data Transmission, check it out here and grab it on Beatport.

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Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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