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We Are Neurotic joins the Spotlight Mix Series


We Are Neurotic are a disco, house and funk trio based in Jakarta, Indonesia.

They have won remix contests by Disclosure, Chromeo & Kenny Beats, have signed with record labels such as Kitsuné Musique, Nervous Records and Gonya Entertainment, and have had their music featured by brands like Samsung and HBO Max.

New vinyl & digital label C3DO Recordings announces its debut release: a door-busting, gospel-disco banger from Indonesian trio We Are Neurotic. 

C3DO Recordings is a playful house, disco and electronic label founded by Dylan C. Greene, 3kelves, and We Are Neurotic, dedicated to nurturing its family of artists and providing a steady stream of quality, idiosyncratic releases. 

The label’s debut release should come from the trio, with Hyperservice setting both the standard and tone of what you can expect from this imprint over the coming months. 

The Jakartian band holds down an impressive fast-tempo instrumental performance, San Francisco producer adds 3kelves his tongue-in-cheek flair in the form of hollering vocal cuts and his iconic dub siren. The track keeps the energy high throughout like a quadruple shot of hard espresso, whereafter the second half gets kicked into overdrive by a ripping piano solo from young Indonesian keyboard prodigy, Matalino Siraj.  

Keep your ear to the ground for news of future releases from this burgeoning label throughout 2024. 

They dropped us the Spotlight mix today, check it out below and grab it here.


Jazzanova – Theme From Belle et Fou – The Opening
We Are Neurotic – Cipulir Disco Funk
Dylan C. Greene – Fool Me
We Are Neurotic – Hyperservice (feat. 3kelves) – C3DO
3kelves – Nonsense
We Are Neurotic – House Music Will Set You Free
Dylan C. Greene – The Nerve
Tortured Soul – How’s Your Life?
We Are Neurotic – Why Do?
3kelves – Open Up
We Are Neurotic – Break It Down
We Are Neurotic – Wanna Make U Real Good

Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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