I’m grilling Kasra on why having run Critical for 12 years with some of drum & bass’s biggest and best producers (Break, Calibre, Icicle and Spectrasoul to name but a few) pass through his label ...
There’s very little, if anything, Critical Music gets wrong when it comes to output. Kasra has an uncanny knack of always managing to get the best out of his own artists, as well as anyone ...