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DT707 – GAWP


Having previously toured and released under different guises and styles, GAWP is certainly no stranger to the music industry.

As a result of a lifetime in the studio perfecting his craft and being mindful to only put out music of the highest standard GAWP has already released a string of tracks on Mixmag’s ‘Label Of The Decade’ Dirtybird alongside a number of highly respected imprints including Elrow, Toolroom, Soup, This Ain’t Bristol, Cheap Thrills, Night Bass and Main Course.

GAWPs productions consistently gain support from a vast spectrum of established artists and peers encompassing the likes of Claude Vonstroke, Justin Martin, Chris Lake, Fisher, Idris Elba, Mark Knight, Walker and Royce, Will Clarke, Bot, Shiba San, Billy Kenny, Kyle Watson and more.

Today, he joins on the podcast for the first time. Listen to it below, on Mixcloud or iTunes here.

What’s your personal favourite track on it?
Late Replies – Encona has a real energy to it.

What’s the special ingredient in this mix?
A special ID in there for those trainspotters.

What’s the best gig you’ve played recently?
Desert Hearts x Farris Wheel Live Stream

What have you got coming up?
New single ‘Raw’ with Bacosaurus out on Dirtybird on the 7th August – grab a copy here.

And finally, do you have a special message for our readers?
Thanks for reading, thanks for listening and thanks for all the support. Be sure to follow @GAWPmusic on all socials for my musical journey.


Mat.Joe, Maximono, Kevin Knapp – Drummer Loco [Dirtybird]
Casmalia Ft. Johnny 2shots – H808 [Prime Society]
GAWP & Bacosaurus – RAW [Dirtybird]
Ciszak – That Beat [Box of Cats]
Rob Dylan –  I Like Wires
Frivolous Jackson – Get your thing together [Prime Society]
Late Replies – Encona [Lost Records]
GAWP – London It Is [Prime Society]
Hot Chip – Hungry Child (Popof Remix)
Adapter ‘Havana’ (Original Mix) [Relief Records]
Gene Farris – Space Girl [Dirtybird]
GAWP- No Warning [Dirtybird]

Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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