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NUDE058: Risa Taniguchi


Risa Taniguchi is arriving at the forefront of the dark techno wave that has washed over the underground in recent years. The Tokyo born – and based – artist has spent the last four years cultivating a lo-fi sound of distorted textures, fizzing synths and a quietly burning energy, which consumes all who hear it. Preferring to play sets which are “late night, for the weirdos”, Risa has a knack for getting crowds in a nocturnal trance, before delivering shocks and surprises with a curious motif or unpredictable element. For those who like to cut loose in a dark environment, she is the perfect selector. 

In the studio as well as the club, Risa focuses on the drums, programming kicks that bring visceral and often aggressive thrills next to a uniquely addictive layer of well-designed snares and hi-hats. Her signature has become her own subtle and intriguing vocal samples, best heard on Slipped My Mind and Enclozed. She adds layers of acid bass and an always raw, edgy aesthetic. Having experienced them first hand whilst living in London, in 2010, Risa also has an enduring love of underground UK bass sounds, which can be heard in many of her tracks. The multi-talented act is also formally trained and a skilled player of the piano, who continues to play daily. She is a “classical music nerd” too, but of course, prefers to explore the minor rather than major end of the scales. 

Since her first release back in 2018, Risa has attracted high profile interest from A-list players Amelie Lens, Dense & Pika, Pan Pot, Perc and Daniel Avery; has hit the Top 5 of the Beatport’s Leftfield Techno Chart and played everywhere from SXSW Festival in the US to De Marktkantine in Amsterdam, Watergate in Berlin and of course all the most revered spaces all across Japan including Contact, Womb, and Vent.

Despite the pandemic, 2020 has proven to be a high watermark for Risa as she has delivered a continuous flow of new music, primarily on Pan Pot’s Second State and on Dense & Pika’s Kneaded Pains. With both of these mighty techno duos giving Risa their support and platforms, it has enabled her to start taking her first major footsteps into Europe, picking up her first headline bookings in Hungary and the UK.

Today, she joins the NUDE Techno podcast, with an hour of Techno. Listen to it below on SoundCloud & Mixcloud. If you are feeling this series, then please consider supporting it on Mixcloud Select.

What’s your personal favourite track on it?
Peter Van Hoesen – 10000 Nodes. Although the whole song was made in 4×4 kicks, there are some random/unexpected changes in its rhythm section, which I found really attractive.

What’s the special ingredient in this mix?

I included one of my latest demos called ‘Radio Acid’ which I made specifically for playing at the beginning of mixes or a set. I was wondering how it would sound, and in the end it worked well I think.

Tell us about your next EP? 
I cannot announce this officially yet though, some collabs and ongoing projects are going on right now, all of them are really exciting. 

What have you got coming up?
Some gigs in my city, Tokyo. Other than that, I’m really focusing on my production by looking back on my original taste, leveraging this unusual situation at the moment to take me in a different direction maybe

And finally, do you have a special message for our readers?
Hi there, thank you all for listening to my latest mix! I know we’re in the hardest moment now but I do hope we can get together soon again. Until then, please stay safe and enjoy my music from your relaxing place.


01. Risa Taniguchi – Radio Acid
02. I/Y – 303 0303
03. Vidrik -Don’t Believe
04. Ejeca -Lacer
05. Black Girl / White Girl – Baby’s First Rave
06. DJ Deep – Tommy
07. Phara – Great Attractor
08. Vil – The Groove Dealer
09. Grindvik, Pfirter – Eye Glare
10. Peter Van Hoesen – 10000 Nodes
11. Nastia Reigel – Melting Sand
12. NØRBAK – Interference of Authority
13. SUDO – Karma
14. Marcal – Angry Teleprinter
15. YANT – Cut Loose
16. Stef Mendesidis – Interlynx
17. Staffan Linzatti – A Sacred Code

Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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