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Secondcity remixes Sammy Porter & George Mensah’s “Ain’t Nobody Else”


LoveJuice Records proudly deliver UK chart-topping producer, Secondcity’s remix of “Ain’t Nobody Else” from label boss’s Sammy Porter & George Mensah.

His signature Chicago/Pan-Atlantic underground sound is showcased once again, distinctive chunky drums cut through a contagious bass line groove, matched with a masterclass of staccato piano, forming the sound bank for Charlotte’s iconic vocal.

Sammy and George teamed up in 2017 to execute the original of this record, which went on to become the birth of LoveJuice as a label, a milestone moment for our story and the record remains a historic hit on any LoveJuice dancefloor.

With the imminent return to club/rave culture, this collaboration is a significant landmark and the ideal moment to rebirth a record that connected dance music fans globally the first time around. A combined project between all involved that has been hard to keep under wraps since it’s inception.

Transport yourself to the summer of love 2021, as Secondcity’s refix of “Ain’t Nobody Else” sweetens ear drums worldwide. This is a future house anthem!

“I used to share a studio with Secondcity, wanted to get him on a remix for so long. Been itching to release this since I first heard the V1 bounce, can finally reply to all the DM’s I’ve got asking what this remix I’ve been playing is ” – Sammy Porter

“It’s the perfect time to reintroduce our cult classic “Ain’t Nobody Else”. Secondcity has delivered magic on this remix, bang in time for what is set to be the biggest summer of our generation” – George Mensah

“It was a pleasure to work on this record. Charlotte’s vocal is timeless. To be asked to remix LoveJuice’s debut release makes it even more special, ahead of a historic time for Dance music “ – Secondcity

We premiere the remix on Data Transmission today, check it out here and grab it on Beatport.

Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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