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Jane Oak joins our Spotlight Series



Jane Oak creates hypnotic music, pulling the listener into a dark and mysterious atmosphere.

Influenced by the likes of Detroit precursors such as Jeff Mills, Derrick May or even Juan Atkins aka Cybotron, Jane uses the language of techno music as a means to create a sombre, streamlined and percussive sonic atmosphere of tracks crafted with purity and precision.

Belgian by birth and at heart, Jane Oak discovers electronic music at the age of 11 when a friend introduced her to the minimalistic electronic sound of Kraftwerk’s “Radioactivity”.

Since her move to Paris, age 19, she surrounds herself with dwellers of the electronic world. Some of them possessing synthesizers and drum machines, she tries herself at the art of composing. A part from nightclubbing, she spends her days studying and reproducing the sounds around her, developing a real obsession to recreate and understand the craft of electronic music. However, in spit of many attempts, inspiration never strikes in Paris. Whilst working behind the decks under different names at a number of Parisian soirees, a trip to Berlin revived Jane Oak’s emotional creative force and gave birth to this first EP.

Signing with Caduceus records (Berlin), she releases her first EP “Low Pressure Zone” – a powerful and authentic techno record which will surely strive on the dance floor.

Rave – Sam Paganini
Stop Talking – Adam Beyer
Joker (uto karem) – Ramon Tapia
Model 2 (slam remix) – truncate
Panch – Amotik
Beetle – Andre Paluzzi Dana Ruh
Technological – Ali Wilson
Pressure – Jane Oak
Acid Phase – Emmanuel Top
The storm – Dave Clarke
Zone – Jane Oak
I feel lit – Alden Tyrell Rmx – LA -4A

Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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