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Hideout Festival Day 2



Day Two saw Papaya open it’s second, main stage for the Paradise Pool Party. A more relaxed affair than Heidi’s Jackathon, barriers brushed against rather than rammed and a rolling air of introspection about the venue, eyes close, heads back in the sun, shoulders rolling as the DJs smoke cigarettes and chat in between big, easy, sexy transitions. That night things went dramatically British over at open-air-warehouse Aquarius I, as Bondax laid down a bouncy house party vibe, followed by Gorgon City and man-of-the-moment Duke Dumont, bounding onto the stage, big hugs all round from Gorgon city and checking his visuals were on point before positively drenching Aquarius in a signature combination of rolling tech and upbeat house. Meanwhile, down the beach at the new Euphoria Stage Doorly was once again whipping up a blue-tinted crowd, who, in the first instance DT has ever seen, voluntarily sat down and jumped up between drops. Doorly, meanwhile was busy playing to the camera “Make sure you get me with my DJ face on.”Today’s Random Fact – Source – A Croatian Landlord “There are tortoises all over Novalja. They’re nothing like turtles, because they don’t need to live near water. They also live to be about 100. There’s one in my garden called Leonardo. He keeps running away. They’re speedier than often given credit for.”

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Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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