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Azealia Banks Lashes Out At Disclosure



It’s a close run thing and we’re yet to decide on an outright winner but Harlem born RnB starlet Azealia Banks seems to be intent on being awarded the most aggravating person within the scene as she continues to open her mouth without engaging her brain. Riding on the coattails of electronic music the ‘star’ has committed a number of music faux pas  over the past year as she continues to indulge in childish diva behavior over the smallest of incidents.

The latest thing to irk the motormouth singer was a misunderstanding between Azealia and Disclosure when she popstrel set the internets chattersphere off with a tweet suggesting she was working on new material with the pairing in the studio. 

Disclosure themselves however moved quickly to reveal that the excitable popstar may have got a bit ahead of herself when announcing that they were working together via her twitter account with Howard saying “We don’t have a song with her yet. I think she’s kind of taken to Twitter quite heavily with the fact that she’s meeting with us. People now think that we’ve made the greatest song of all time, and it doesn’t even actually have a chorus yet.”

Now Azealia seems to have taken these comments rather personally (indulged not exactly genius intellect prima donna popstars tend to) and has now lashed out at Disclosure stating her highly anticipated collaboration with Disclosure will not appear on her album after they were “like, really rude in an interview” before adding “I’ve got better stuff on my record… It can be an f-side. A fuck-you side.” 

Strong words indeed from someone who if she keeps on her current trajectory may find herself struggling to find talented producers to work with to enhance her in our opinion mediocre talent. In completely unrelated news, sightings of a 22 year old moron who doesn’t know how lucky she is continue to surface from the music world…

Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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