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Peter Lawlor and Leo Pearson aka MonoSource debut with ‘In A Dublin Pisser’


Get ready to dive into the sounds of MonoSource with their debut single, ‘In a Dublin Pisser’, out now on their own Made Magnetic label. Featuring the poetic vibes of Glasgow’s own Kevin P. Gilday, this track takes you on a reflective journey about the changing face of Dublin.

MonoSource is the brainchild of producers Peter Lawlor (Polytunnel, Moot Tapes) and Leo Pearson, who’ve teamed up for an epic hardware-driven audiovisual experience. This project is all about ditching the computer for a more raw, experimental, and spontaneous approach to electronic music.

The track, ‘In a Dublin Pisser,’ is an absolute banger, packed with gritty beats and haunting melodies. It’s like a love letter to Dublin, capturing the city’s gritty charm and the sense of change that’s sweeping through its streets. Gilday’s spoken word poetry adds a deep, reflective layer, making you think about what Dublin was and what it’s becoming.

Peter Lawlor and Leo Pearson aren’t new to the scene. These guys have been pushing boundaries in the electronic music world for years, and MonoSource is their latest venture into uncharted territory. By focusing on hardware and live improvisation, they’re bringing back the raw, unfiltered energy of electronic music. No more staring at computer screens – it’s all about feeling the music, experimenting with sounds, and creating something real in the moment.

If you’re into electronic music that’s a bit off the beaten path, MonoSource is definitely worth checking out. ‘In a Dublin Pisser’ is just the beginning. With their knack for blending gritty realism with hypnotic beats, Lawlor and Pearson are set to take the electronic music scene by storm. So, plug in, turn up the volume, and let MonoSource take you on a trip through the changing soundscapes of Dublin. Trust me, you won’t want to miss this one.

Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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