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RozálesD’s track ‘All The Time’ Is Built for Big Room Moments and Sweaty Afters

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There’s no easing in here. RozálesD’s track ‘All The Time’ is a full-throttle house mission straight from the booths of the U.S. underground to the dancefloors of Ibiza, Berlin, and beyond.

Under No Illusion have bagged a weapon of a release, with RozálesD dropping their new alias and a stacked 6-track EP that screams “peak-time only.” Think crisp percussion, hypnotic bubbles, and basslines that grab you by the hips. RozálesD’s track ‘All The Time’ is the kind of release that turns heads and clears inboxes. Three original cuts, each getting the remix treatment from serious hitters like Paul C, Deltech, label boss Ki Creighton, and Geovanni.

The American duo behind RozálesD aren’t new to this game, but this EP feels like a statement. RozálesD’s track ‘All The Time’ rolls in with breezy textures and a rolling groove that keeps you locked. It’s warm, percussive, and totally immersive, perfect for sunrise rooftops or dark basements with strobes going full tilt.

‘My Love For You’ switches gears into a skipping vocal banger, laced with piano stabs and cheeky synth flicks. Deltech’s remix? No-nonsense peak-time pressure, straight outta Derby. Acid licks, big builds, and a drop that’ll knock your drink over. Hot Creations heads will know the vibe.

Then there’s ‘Self Love’ – easily the most emotional cut of the pack. Soulful, deep, and dripping in summer melancholy. It’s a house with a heart. Ki Creighton and Geovanni round off the EP with a big-room chugger that keeps the vocal but straps it to a driving low-end made for the Music On crowd. Proper burner.

RozálesD’s track ‘All The Time’ is built for the booth, the basement, and the beach. Dive in early and rinse it before everyone else catches on.

Stream it, save it, grab it on Beatport and just don’t sleep. RozálesD’s track ‘All The Time’ drops July 18 on Under No Illusion.

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Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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