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Queensyze returns with her new ‘Smells Like Aciid’ EP


Canadian electronic artist Queensyze returns with her new ‘Smells Like Aciid’ EP, two thunderous cuts of acid-inflected techno ripe for dark basements.

Queensyze is a Canadian DJ, producer, composer, and filmmaker. Having produced in various genres throughout her career, she released her debut techno EP The Pretty Lights in 2019. Supported by tastemaker media like Resident Advisor and Mixmag, The Pretty Lights broke into the coveted top ten Techno Chart on Beatport landing the #5 spot within the first week of release. 

Her long-awaited follow up to The Pretty Lights on Nervous Records, Smells Like Aciid, will finally be released this July. Originally slated for the winter of 2020, Queensyze suffered a traumatic brain injury that stopped her career in its tracks. Recovery has been slow, but finally, Queensyze is back to doing what she loves, making this follow-up EP even more important. 

The title track is a punishing techno cut, dominated by a furious, dynamic acid line that winds its way through sparse percussion and a powerful kick drum. Give Up Your Love is similarly impressive, with ethereal vocals from Sara Sukkha juxtaposed with a sawing synth line and dark drums, creating an atmosphere that’s haunting and invigorating in equal measure. 

A staple of the Vancouver underground scene, Queensyze is known for her innate ability to connect with her audience through her storytelling lens. Experimenting with records to create new sounds, and new rhythms, and learning how to build energy and soundscapes within the limitations of vinyl, these techniques have now become her signature as her DJ sets move fluidly between the hard and subversive much like her original productions. 

We premiere ‘Smells Like Aciid’ on NUDE Techno, check it out here and grab it on Beatport.

Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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