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Dario D’Attis remixes Kotelett’s “I Don’t Know” on Poker Flat

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Kotelett known for his distinctive contributions to the house music scene, has made a triumphant return to Poker Flat Recordings with his new single, “I Don’t Know,” earlier this year. Following the success of this release, Kotelett brings forth a spectacular remix crafted by the talented Swiss producer, Dario D’Attis.

Dario D’Attis, renowned for his prowess in electronic music production, injects his signature style into the remix, transforming the original track with a fresh and captivating perspective. The remix takes the deep, rolling essence of the original and infuses it with a more pronounced jacking vibe, elevating the energy to new heights. Notably, D’Attis skillfully places emphasis on the vocals, pushing them to the forefront of the composition. This strategic move not only adds a layer of dynamism but also provides a renewed focus on the lyrical narrative.

The collaboration between Kotelett and Dario D’Attis showcases the versatility within the realm of house music, demonstrating how a skilled reinterpretation can breathe new life into an already compelling piece. As the remix unfolds, listeners can expect to be taken on a sonic journey that combines the familiarity of the original with the innovative touch of D’Attis, creating a dancefloor-ready experience that resonates with both seasoned enthusiasts and newcomers alike. This release stands as a testament to the evolving landscape of electronic music, where artists continually push boundaries and redefine the sonic possibilities within the genre.

We premiere the remix on Data Transmission, check it out here and grab / stream it here.

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Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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