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Blog BOOST Podcast

Lydia Laws chats Public Relations (PR) for Artists


Lydia Laws is the founder and director of Lydia Laws PR (LLPR), an international boutique PR and communications agency specialising in one of her chief passions, electronic music (and also increasingly, environmental and charity initiatives). 

Four years on, LLPR works with artists, labels and event brands. Her current roster includes Sasha, BLOND:ISH, Elliot Adamson, Rocky Valente, Last Night On Earth and Squire, alongside exciting fresh talent.

She has also worked with artists such as Matador, Dusky, Lee Burridge, DeWalta, Art Department, ANNA, Henry Saiz and All Day I Dream. Labels she has worked with include Warner Music, Late Night Tales, Balance Music and Virgin EMI. Previously she was Head of Digital at Neighbourhood PR, after starting out in music journalism at Ibiza Spotlight and Pulse Radio.

Lydia has spoken on several panels e.g. at ADE and DJ Growth Conference, sharing her experience and expertise on careers in PR/the music industry, and speaking at ADE Green. A passionate environmental advocate, she is deeply interested in promoting and encouraging positive environmental change within the electronic music industry and beyond.

Today, she joins me on the Podcast to chat Public relations for artists, PR in 2020 and her tips for up and coming artists to get you more coverage.  Myself & Lydia are at Electronic Sound Summit in Liverpool from 28th-1st March. I’m also hosting a breakfast boost there, which is my breakfast mastermind round table. For more info – https://www.electronicsoundsummit.co.uk/

You can listen below or on Apple PodcastsSpotifyGoogle Podcast and more via Anchor.

In this podcast, I have a brand new microphone from Sudotack – It’s a USB Podcast PC Microphone, Professional 96KHZ/24Bit Studio Cardioid Condenser Mic Kit with Sound Card Desktop Stand Shock Mount Pop Filter, for Skype Youtuber Gaming Recording – https://amzn.to/2ZCiGsE

Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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