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397 – Mija

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Let’s talk about Phoenix. No, not the fiery bird that rises from the ashes – although we will concede that they are cool – but the largest city in Arizona as we’re headed to the sounds of the state capitol for this weeks podcast courtesy of Phoenix house head Mija.

After her recent surprise b2b set with Skrillex at Bonnaroo brought her to our attention we were so impressed with her performance that we set about recruiting her for Data Transmission Podcast and what a podcast it is…

Sum up this podcast in 10 words…
house, bass, tech, hi-hat, dark, dirty, bounce, old-school

What’s your personal favourite track on it?
Haha ok, so my favorite track is jOHNNYDANGEROUs – Beat That Bitch (ZDS remix). It’s so dark and dirty that it doesn’t matter how derogatory it is– not even mad at it. not possible.

What’s the special ingredient in this mix?
Special ingredient is the mashup I made. If Dirtybird and Ultramajic had a love child, this would be it.

What’s the best gig you’ve played recently?
Bonnaroo, mos def. Such a surreal experience.

What have you got coming up? 
I will be djing at Burning Man in just over a week! My first burn.

And finally, do you have a special message for our readers?
Take yourself seriously and you will get where you need to be.

Tracklist XO – Old Skool
SecondCity and Tyler Rowe – I Enter
Disclosure – When a Fire Starts to Burn (Branko Twist)
Jimmy Edgar – Strike
jOHNNYDANGEROUs – Beat That Bitch (ZDS Remix)
Hot Natured – Reverse Skydiving (Deetron Remix)
Dave Spoon – At Night (Shadow Child Remix)
Friend Within – The Renegade
Bucketheads – The Bomb (Agent 86 edit)
Huxley – Little Things
Aden X Claude Vonstroke X Kill Frenzy – Whip it Down Girl (Mija Mashup)
Marc Romboy – Set Me Free (A1 Bassline Nostalgia Mix)
Claude Vonstroke – Eye I Eye
Frankie Knuckles – Baby Wants to Ride (Jimmy Edgar Remix) s

oundcloud.com/hi_mija facebook.com/djmija
insta/twit: @hi_mija

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Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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